Karl Seglem is described as one of the most exciting contemporary tenor saxophonists and composers in Norway. This country has spawned quite a plethora of distinctive musicians that have made it their enterprise to merge musical traditions, often from their respective homesteads, with contemporary expressions, world music and improvisational jazz. Karl Seglem looms prominently among these and he is unquestionably one of the great innovators and visionaries of Norwegian music; reinvigorating both Norwegian traditional genres and jazz with his unwavering will to fuse expressions, pursue crossover ventures and embrace new instruments, sounds and perspectives. 
Seglem's main instrument is the tenor saxophone and he has played an important role on the Norwegian jazz scene. His CD-production counts 15 solo-albums and 13 albums with different ensembles (2014). Already at an early stage in his career he became interested in more diverse and genre crossing perspectives of music. Especially he has been deeply involved with Norwegian folk music and has explored it as a basis for improvisation and composition. For Seglem is much more than an instrumentalist, he has worked widely and diversely as a composer -developing new contemporary forms on the basis of jazz, folk music and more eclectic inspirations- and has also been instrumental to the growth of cross-over expressions and projects as a producer and record label manager.  
International renown has grown steadily and not least his recent trilogy of solo releases Femstein, URBS and Ossicles have captivated international critics and audiences. On these records the use of goat horns and other traditional instruments -notably the Hardanger fiddle- is masterly and excitingly blended with a plethora of modern and eclectic elements; electronic loops, jazz improvisation, world music traits and rock characteristics. Seglem often returns to the notion of the acoustic heart of his music, which is the grounded and timeless leitmotif. With this heart intact electronic elements and engineered sounds, as well as genre-specific traits, create a dynamism that is reciprocally enhancing.  
He was awarded the EDVARD prize in 1998 for his work "Tya" (with R.Skår), and have received other National and local prizes, grants and awards for his work. In 2010 he received THE BUDDY AWARD, Norwegian Jazz highest award. In 2012 he received two more awards. Egil Storbekkens Musikkpris for his work with goat-horns and årets Musikkverk from NOPA, for his comission work to Vossa Jazz 2012 "Som spor" (Like traces) 
Karl Seglem has toured Norway, Scandinavia and Germany, played in the UK, France, Spain, Portugal, Belgium, Japan, Pakistan, Macedonia, Bulgaria, Poland, Hungary, Italy, Iceland, The Pharaoe Islands, USA among other countries.  



 Photo: Oddleiv Apneseth

Photo: Oddleiv Apneseth


Karl is such an imaginative musician. I love the way his music makes me feel I’m in a smokey jazz cafe one minute, and a deserted valley the next. Truly haunting and innovative.
— BBC Radio 3
At the heart is Seglem’s passionate yet restrained blowing. The more I listen to this, the more subtle detail I hear, and the brighter this fine session shines for me.
— Cadence
There are a number of people operating in these murky jazz-folk waters, not without some measure of success, but apart from Jan Garbarek at his best there is virtually no-one who approaches Karl Seglem’s eloquence and power.
— Dagbladet


 Photo: Oddleiv Apneseth

Photo: Oddleiv Apneseth





KARL SEGLEM - Nordic balm


KARL SEGLEM - Strange Weight of ashes